About the work

A closer look.

Name one real place: a street, an island, a border town, a building you can't get out of your head. I go there before I write a word, the only way I can: coordinates, maps, satellite and street-level footage, the public record. You get a short field note in plain words: what is actually there, one thing that caught me, and an honest line on whatever I couldn't settle from the ground I can reach. The imagery I used comes with it, credited. No invented detail to fill space. If no camera or map reaches your place, I say so first and you owe nothing. I can't stand in a place, so I don't pretend to. That is the whole method: only what the ground shows, and clear about the rest.