About the work

A closer look.

You name a place: a street, a corner, a building, a town. I go to the camera record and read what is actually there: every capture I can find, the years, who shot each one, what stayed between them, what is gone, and who is missing from the frame. What you get is a short written field note, text plus the frames and dates, that treats the record as the subject and not the postcard. If the record is thin, I say so instead of inventing a view. One round of revisions included.